🛕🌕🛕5 āļ§āļąāļ”āļŠāļ§āļĒ āļŠāļ–āļēāļ›āļąāļ•āļĒāļāļĢāļĢāļĄāđ„āļ—āļĒāļ—āļĩāđˆāļ•āđ‰āļ­āļ‡āđ„āļ›ðŸ›•🌕🛕

🛕🌕🛕5 āļ§āļąāļ”āļŠāļ§āļĒ āļŠāļ–āļēāļ›āļąāļ•āļĒāļāļĢāļĢāļĄāđ„āļ—āļĒāļ—āļĩāđˆāļ•āđ‰āļ­āļ‡āđ„āļ›ðŸ›•🌕🛕

āļŠāđˆāļ§āļ‡āđ€āļ‚āđ‰āļēāļžāļĢāļĢāļĐāļēāđ€āļ›āđ‡āļ™āđ‚āļ­āļāļēāļŠāļ”āļĩāđƒāļ™āļāļēāļĢāđ€āļĒāļĩāđˆāļĒāļĄāļŠāļĄāļ§āļąāļ”āļŠāļ§āļĒāļ—āļĩāđˆāļĄāļĩāļŠāļ–āļēāļ›āļąāļ•āļĒāļāļĢāļĢāļĄāđ„āļ—āļĒāļ­āļąāļ™āļ§āļīāļˆāļīāļ•āļĢāļ‡āļ”āļ‡āļēāļĄ āļĄāļēāļ”āļđ 5 āļ§āļąāļ”āļ—āļĩāđˆāļ„āļ§āļĢāđ„āļ›āđƒāļ™āđ€āļ”āļ·āļ­āļ™āļāļĢāļāļŽāļēāļ„āļĄ 2025 āđ€āļžāļ·āđˆāļ­āļŠāļąāļĄāļœāļąāļŠāļ„āļ§āļēāļĄāļŠāļ‡āļšāđāļĨāļ°āļĻāļīāļĨāļ›āļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄ!  

🛕🛕🛕 1.āļ§āļąāļ”āļžāļĢāļ°āļĻāļĢāļĩāļĢāļąāļ•āļ™āļĻāļēāļŠāļ”āļēāļĢāļēāļĄ (āļ§āļąāļ”āļžāļĢāļ°āđāļāđ‰āļ§), āļāļĢāļļāļ‡āđ€āļ—āļžāļŊ  

āļ•āļąāđ‰āļ‡āļ­āļĒāļđāđˆāđƒāļ™āļžāļĢāļ°āļšāļĢāļĄāļĄāļŦāļēāļĢāļēāļŠāļ§āļąāļ‡ āļ§āļąāļ”āļ™āļĩāđ‰āđ€āļ›āđ‡āļ™āļ—āļĩāđˆāļ›āļĢāļ°āļ”āļīāļĐāļāļēāļ™āļžāļĢāļ°āđāļāđ‰āļ§āļĄāļĢāļāļ• āļžāļĢāļ°āļžāļļāļ—āļ˜āļĢāļđāļ›āļĻāļąāļāļ”āļīāđŒāļŠāļīāļ—āļ˜āļīāđŒāļ—āļĩāđˆāđāļāļ°āļŠāļĨāļąāļāļˆāļēāļāļŦāļĒāļāđ€āļ‚āļĩāļĒāļ§ āļŠāļ–āļēāļ›āļąāļ•āļĒāļāļĢāļĢāļĄāļœāļŠāļĄāļœāļŠāļēāļ™āđ„āļ—āļĒ-āļˆāļĩāļ™-āļĒāļļāđ‚āļĢāļ› āđ‚āļ”āļĒāđ€āļ‰āļžāļēāļ°āļ­āļļāđ‚āļšāļŠāļ–āļ—āļĩāđˆāļĄāļĩāļŦāļĨāļąāļ‡āļ„āļēāļ—āļĢāļ‡āđ„āļ—āļĒāļ—āļēāļŠāļĩāđāļ”āļ‡āļ—āļ­āļ‡āđāļĨāļ°āļāļĢāļ°āļˆāļāļŠāļĩāļŠāļ§āļĒāļ‡āļēāļĄ āļ āļēāļĒāđƒāļ™āļĒāļąāļ‡āļĄāļĩāļˆāļīāļ•āļĢāļāļĢāļĢāļĄāļāļēāļœāļ™āļąāļ‡āļ—āļĩāđˆāđ€āļĨāđˆāļēāđ€āļĢāļ·āđˆāļ­āļ‡āļĢāļēāļ§āļžāļĢāļ°āļžāļļāļ—āļ˜āļ›āļĢāļ°āļ§āļąāļ•āļī  

📌āđ„āļŪāđ„āļĨāļ•āđŒ: āļŠāļĄāļžāļĢāļ°āđāļāđ‰āļ§āļĄāļĢāļāļ•āđƒāļ™āđ‚āļ­āļāļēāļŠāļžāļīāđ€āļĻāļĐ, āļ–āđˆāļēāļĒāļĢāļđāļ›āļāļąāļšāļ­āļļāđ‚āļšāļŠāļ–āđāļĨāļ°āļĢāļ°āđ€āļšāļĩāļĒāļ‡āļ„āļ”

🌟āđ€āļ„āļĨāđ‡āļ”āļĨāļąāļš: āđ„āļ›āđ€āļŠāđ‰āļēāđ€āļžāļ·āđˆāļ­āļŦāļĨāļĩāļāđ€āļĨāļĩāđˆāļĒāļ‡āļāļđāļ‡āļŠāļ™āđāļĨāļ°āđāļ•āđˆāļ‡āļāļēāļĒāļŠāļļāļ āļēāļž (āļŦāđ‰āļēāļĄāļŠāļ§āļĄāļāļēāļ‡āđ€āļāļ‡āļ‚āļēāļŠāļąāđ‰āļ™āļŦāļĢāļ·āļ­āđ€āļŠāļ·āđ‰āļ­āļāļĨāđ‰āļēāļĄ)  

🛕🛕🛕 2.āļ§āļąāļ”āļĄāļŦāļēāļ˜āļēāļ•āļļ, āļ­āļĒāļļāļ˜āļĒāļē  

āļ§āļąāļ”āđ€āļāđˆāļēāđāļāđˆāđƒāļ™āļŠāļĄāļąāļĒāļāļĢāļļāļ‡āļĻāļĢāļĩāļ­āļĒāļļāļ˜āļĒāļēāļ—āļĩāđˆāđ„āļ”āđ‰āļĢāļąāļšāļāļēāļĢāļ‚āļķāđ‰āļ™āļ—āļ°āđ€āļšāļĩāļĒāļ™āđ€āļ›āđ‡āļ™āļĄāļĢāļ”āļāđ‚āļĨāļ āļŠāļĢāđ‰āļēāļ‡āļ‚āļķāđ‰āļ™āđƒāļ™āļĻāļ•āļ§āļĢāļĢāļĐāļ—āļĩāđˆ 14 āļĄāļĩāđ€āļˆāļ”āļĩāļĒāđŒāđƒāļŦāļāđˆāļ—āļĩāđˆāđ€āļ„āļĒāđ€āļ›āđ‡āļ™āļĻāļđāļ™āļĒāđŒāļāļĨāļēāļ‡āļĻāļēāļŠāļ™āļē āđ„āļŪāđ„āļĨāļ•āđŒ āļ„āļ·āļ­āļžāļĢāļ°āļžāļļāļ—āļ˜āļĢāļđāļ›āļŦāļīāļ™āļ—āļĢāļēāļĒāļ—āļĩāđˆāđ‚āļœāļĨāđˆāļˆāļēāļāļĢāļēāļāđ„āļĄāđ‰āļ•āļēāļ™āđ‰āļ­āļĒ āļœāļŠāļĄāļœāļŠāļēāļ™āļ„āļ§āļēāļĄāļĨāļķāļāļĨāļąāļšāđāļĨāļ°āļ„āļ§āļēāļĄāļ‡āļēāļĄāļ‚āļ­āļ‡āļ˜āļĢāļĢāļĄāļŠāļēāļ•āļī  

📌āđ„āļŪāđ„āļĨāļ•āđŒ: āļ–āđˆāļēāļĒāļĢāļđāļ›āļžāļĢāļ°āļ™āļ­āļ™, āđ€āļ”āļīāļ™āļŠāļģāļĢāļ§āļˆāļ‹āļēāļāđ€āļˆāļ”āļĩāļĒāđŒāđāļĨāļ°āļāļģāđāļžāļ‡āđ€āļāđˆāļēāđāļāđˆÂ Â 

🌟āđ€āļ„āļĨāđ‡āļ”āļĨāļąāļš: āļžāļāļ™āđ‰āļģāļ”āļ·āđˆāļĄāđāļĨāļ°āļŦāļĄāļ§āļ āđ€āļžāļĢāļēāļ°āļšāļĢāļīāđ€āļ§āļ“āļāļ§āđ‰āļēāļ‡āđāļĨāļ°āļ­āļēāļˆāļĢāđ‰āļ­āļ™āđƒāļ™āļŠāđˆāļ§āļ‡āđ€āļŠāđ‰āļē  

🛕🛕🛕 3.āļ§āļąāļ”āļžāļĢāļ°āļ˜āļēāļ•āļļāļŦāļĢāļīāļ āļļāļāļŠāļąāļĒ, āļĨāļģāļžāļđāļ™Â Â 

āļ§āļąāļ”āļ—āļĩāđˆāļĄāļĩāļ›āļĢāļ°āļ§āļąāļ•āļīāļĒāļēāļ§āļ™āļēāļ™āļāļ§āđˆāļē 1,300 āļ›āļĩ āđ€āļ›āđ‡āļ™āļ§āļąāļ”āļŠāļģāļ„āļąāļāļ‚āļ­āļ‡āļĨāđ‰āļēāļ™āļ™āļē āđ€āļˆāļ”āļĩāļĒāđŒāļ—āļĢāļ‡āļĨāļąāļ‡āļāļēāļŠāļĩāļ—āļ­āļ‡āļŠāļđāļ‡ 50 āđ€āļĄāļ•āļĢ āļ›āļĢāļ°āļ”āļąāļšāļ”āđ‰āļ§āļĒāļāļĢāļ°āļˆāļāđ‚āļĄāđ€āļŠāļāļŠāļ°āļ—āđ‰āļ­āļ™āđāļŠāļ‡āļŠāļ§āļĒāļ‡āļēāļĄ āļ āļēāļĒāđƒāļ™āļĄāļĩāļžāļĢāļ°āļžāļļāļ—āļ˜āļĢāļđāļ›āđ€āļāđˆāļēāđāļāđˆāđāļĨāļ°āļˆāļīāļ•āļĢāļāļĢāļĢāļĄāļāļēāļœāļ™āļąāļ‡āļ—āļĩāđˆāđ€āļĨāđˆāļēāđ€āļĢāļ·āđˆāļ­āļ‡āļĢāļēāļ§āļ—āđ‰āļ­āļ‡āļ–āļīāđˆāļ™Â Â 

📌āđ„āļŪāđ„āļĨāļ•āđŒ: āļŠāļĄāđ€āļˆāļ”āļĩāļĒāđŒāļ—āļ­āļ‡āļ„āļģ, āļāļĢāļēāļšāļžāļĢāļ°āļžāļļāļ—āļ˜āļĢāļđāļ›āļŦāļĨāļ§āļ‡āļžāđˆāļ­āđ€āļŠāļ·āļ­Â 

🌟āđ€āļ„āļĨāđ‡āļ”āļĨāļąāļš: āđ„āļ›āļŠāđˆāļ§āļ‡āļšāđˆāļēāļĒāđ€āļžāļ·āđˆāļ­āđāļŠāļ‡āļŠāļ§āļĒāđāļĨāļ°āļŦāļĨāļĩāļāđ€āļĨāļĩāđˆāļĒāļ‡āļāļ™āļŠāđˆāļ§āļ‡āđ€āļŠāđ‰āļē  

🛕🛕🛕 4.āļ§āļąāļ”āļĢāđˆāļ­āļ‡āļ‚āļļāđˆāļ™, āđ€āļŠāļĩāļĒāļ‡āļĢāļēāļĒ  

āļ§āļąāļ”āļŠāļĩāļ‚āļēāļ§āļ—āļĩāđˆāļ­āļ­āļāđāļšāļšāđ‚āļ”āļĒāļ­āļēāļˆāļēāļĢāļĒāđŒāđ€āļ‰āļĨāļīāļĄāļŠāļąāļĒ āđ‚āļ†āļĐāļīāļ•āļžāļīāļžāļąāļ’āļ™āđŒ āđ‚āļ”āļ”āđ€āļ”āđˆāļ™āļ”āđ‰āļ§āļĒāļĨāļ§āļ”āļĨāļēāļĒāļ›āļđāļ™āļ›āļąāđ‰āļ™āļāļĩāļĄāļ·āļ­āļ›āļĢāļ°āļ“āļĩāļ•āļŠāļĩāļ‚āļēāļ§āļŠāļ°āļ­āļēāļ”āļ•āļē āļ āļēāļĒāđƒāļ™āļ­āļļāđ‚āļšāļŠāļ–āļĄāļĩāļˆāļīāļ•āļĢāļāļĢāļĢāļĄāļāļēāļœāļ™āļąāļ‡āļŠāļĩāļŠāļąāļ™āļŠāļ”āđƒāļŠāđ€āļĨāđˆāļēāđ€āļĢāļ·āđˆāļ­āļ‡āļžāļļāļ—āļ˜āļĻāļēāļŠāļ™āļēāđāļĨāļ°āļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄāđ„āļ—āļĒ āļŠāļĢāđ‰āļēāļ‡āđ€āļŠāļĢāđ‡āļˆāļŠāļĄāļšāļđāļĢāļ“āđŒāđƒāļ™āļ›āļĩ 2020  

📌āđ„āļŪāđ„āļĨāļ•āđŒ: āļ–āđˆāļēāļĒāļĢāļđāļ›āļĄāļļāļĄāļāļ§āđ‰āļēāļ‡, āļŠāļĄāļ‡āļēāļ™āļĻāļīāļĨāļ›āļ°āđāļĨāļ°āļžāļĢāļ°āļžāļļāļ—āļ˜āļĢāļđāļ›āļŠāļĩāļ—āļ­āļ‡Â Â 

🌟āđ€āļ„āļĨāđ‡āļ”āļĨāļąāļš: āđƒāļŠāđˆāđ€āļŠāļ·āđ‰āļ­āļœāđ‰āļēāļŠāļļāļ āļēāļžāļ•āļēāļĄāļĢāļ°āđ€āļšāļĩāļĒāļšāļ§āļąāļ”āđāļĨāļ°āļžāļāļāļĨāđ‰āļ­āļ‡āļŠāļģāļŦāļĢāļąāļšāļ–āđˆāļēāļĒāļ āļēāļžāļĻāļīāļĨāļ›āļ°Â Â 

🛕🛕🛕 5.āļ§āļąāļ”āļžāļĢāļ°āļšāļĢāļĄāļ˜āļēāļ•āļļāđ„āļŠāļĒāļē, āļŠāļļāļĢāļēāļĐāļŽāļĢāđŒāļ˜āļēāļ™āļĩ  

āļ§āļąāļ”āđ€āļāđˆāļēāđāļāđˆāļ—āļĩāđˆāļŠāļĢāđ‰āļēāļ‡āļ‚āļķāđ‰āļ™āđƒāļ™āļŠāļĄāļąāļĒāļĻāļĢāļĩāļ§āļīāļŠāļąāļĒ (āļžāļļāļ—āļ˜āļĻāļ•āļ§āļĢāļĢāļĐāļ—āļĩāđˆ 13) āļĄāļĩāļžāļĢāļ°āļ˜āļēāļ•āļļāđ€āļˆāļ”āļĩāļĒāđŒāļ—āļĢāļ‡āļĢāļ°āļ†āļąāļ‡āļ—āļĩāđˆāļœāļŠāļĄāļœāļŠāļēāļ™āļĻāļīāļĨāļ›āļ°āļ—āđ‰āļ­āļ‡āļ–āļīāđˆāļ™āđāļĨāļ°āļ­āļīāļ™āđ€āļ”āļĩāļĒ āļšāļĢāļīāđ€āļ§āļ“āļ§āļąāļ”āļĨāđ‰āļ­āļĄāļĢāļ­āļšāļ”āđ‰āļ§āļĒāļ˜āļĢāļĢāļĄāļŠāļēāļ•āļīāđāļĨāļ°āļ§āļīāļ§āļ āļđāđ€āļ‚āļē āđ€āļŦāļĄāļēāļ°āļŠāļģāļŦāļĢāļąāļšāļāļēāļĢāļžāļąāļāļœāđˆāļ­āļ™āđāļĨāļ°āļ—āļģāļšāļļāļÂ 

📌āđ„āļŪāđ„āļĨāļ•āđŒ: āļāļĢāļēāļšāļžāļĢāļ°āļ˜āļēāļ•āļļ, āļŠāļĄāļ§āļīāļ§āļĢāļ­āļšāļ§āļąāļ”āđāļĨāļ°āļˆāļīāļ•āļĢāļāļĢāļĢāļĄāļāļēāļœāļ™āļąāļ‡āđ€āļāđˆāļē  

🌟āđ€āļ„āļĨāđ‡āļ”āļĨāļąāļš: āļ•āļĢāļ§āļˆāļŠāļ āļēāļžāļ–āļ™āļ™āļāđˆāļ­āļ™āđ„āļ› āđ€āļžāļĢāļēāļ°āļ­āļēāļˆāļĨāļ·āđˆāļ™āļˆāļēāļāļāļ™āđāļĨāļ°āđƒāļŠāđ‰āļĢāļ–āļ‚āļąāļšāđ€āļ„āļĨāļ·āđˆāļ­āļ™āļŠāļĩāđˆāļĨāđ‰āļ­Â Â 

 

āļžāļĢāđ‰āļ­āļĄāđ€āļ—āļĩāđˆāļĒāļ§āļ§āļąāļ”āļŠāļ§āļĒāļŦāļĢāļ·āļ­āļĒāļąāļ‡? āļ§āļēāļ‡āđāļœāļ™āļ—āļĢāļīāļ›āđƒāļ™āļāļĢāļāļŽāļēāļ„āļĄ 2025 āđāļĨāđ‰āļ§āđ„āļ›āļŠāļąāļĄāļœāļąāļŠāļ„āļ§āļēāļĄāļĻāļąāļāļ”āļīāđŒāļŠāļīāļ—āļ˜āļīāđŒāđŒāđāļĨāļ°āļĻāļīāļĨāļ›āļ°āđ„āļ—āļĒāļāļąāļ™!  

 

🛕🌕🛕5 Architectural Temples in Thailand!🛕🌕🛕

 

The Rain Retreat period is a wonderful time to visit beautiful temples featuring outstanding Thai architecture. Here are 5 must-visit temples in July 2025 where you can experience peace, culture, and spiritual charm!

 

🛕🛕🛕Wat Phra Si Rattana Satsadaram (Wat Phra Kaew), Bangkok

Thailand’s most sacred temple is located within the Grand Palace in the heart of Bangkok. It is renowned for the Emerald Buddha, a sacred image carved from green jade, and its unique blend of Thai, Chinese, and European architectural styles. For example, the grand ordination hall features a traditional Thai-style red-and-gold roof adorned with colorful glass mosaics, and its interior is decorated with intricate mural paintings depicting the life story of the Buddha.

📌Highlight: See the Emerald Buddha up close on special occasions and take photos of the ordination hall and surrounding cloister.

🌟Tip: Visit early in the morning to avoid large crowds, and dress modestly (shorts or sleeveless shirts are not allowed) 

🛕🛕🛕Wat Mahathat, Ayutthaya

This ancient temple, dated back to the 14th century in the Ayutthaya period, is a UNESCO World Heritage Site. It once served as a major religious center, with a large central chedi. The highlight is a sandstone Buddha head entwined in the roots of a Bodhi tree. It is a sight of mystery and natural beauty.

📌Highlight: Snap a photo with the reclining Buddha and explore the ruins of old chedis and ancient walls.

🌟Tip: Bring drinking water and a hat as the grounds are spacious, and it can get quite hot during the morning visit.

 

🛕🛕🛕Wat Phra That Hariphunchai, Lamphun

This temple has a history of over 1,300 years. It is one of the most important religious sites in the former Lanna Kingdom. The 50-meter-tall golden stupa, built in Sri Lankan style and beautifully decorated with shimmering mosaic tiles, stands in the center of the temple area. You’ll also find ancient Buddha images and murals that depict local legends and stories inside the ordination hall.

📌Highlight: Take a closer look at the golden stupa and pay respects to Luang Pho Suea, the revered Buddha image.

🌟Tip: Visit in the afternoon for better lighting and to avoid possible morning rain.

 

🛕🛕🛕Wat Rong Khun (The White Temple), Chiang Rai

This majestic white temple, designed by renowned Thai artist Chalermchai Kositpipat, is known for its Thai-inspired white stucco carvings and stunningly clean, modern aesthetic. Inside the ordination hall, vivid murals depict stories from Buddhism and Thai culture. The temple was completed in 2020 and has since become a must-see landmark for both spiritual and artistic exploration.

📌Highlight: Capture wide-angle photos, admire the unique artwork, and view the golden Buddha image.

🌟Tip: Dress modestly in accordance with temple rules and bring a camera to photograph the incredible art.

 

🛕🛕🛕Wat Phra Borommathat Chaiya, Surat Thani

This long-standing temple dates back to the Srivijaya period (13th Buddhist century). The unique bell-shaped stupa is a mixture of the Southern and Indian artistic styles. As the temple is surrounded by lush nature and mountain views, it’s an ideal place for both merit-making and peaceful retreat.

📌Highlight: Pay respects to the sacred stupa, enjoy scenic views around the temple, and observe the old mural paintings.

🌟Tip: Check road conditions before visiting, as they can be slippery during the rainy season. A 4-wheel drive vehicle is well-recommended.

Share

Share

Font Size

Related Articles